Chefchaouen, Morocco: The Blue City on the Hill

A house entrance in Chefchaouen. Photo by Barbara Angelakis.

Chefchaouen, Morocco is one of the most picturesque hill towns in a country overflowing with picturesque cities and villages! We stopped to take photographs of the sparkling blue city from a distance, but the impact doesn’t truly hit until you enter the city gates and get your first close-up look.

A panoramic shot of Chefchaouen. Photo by Barbara Angelakis.

In the 14th century, the village barely consisted of 8 or 10 houses occupied by Imazighen — translation “free men” (singular: Amazigh), more commonly referred to as Berbers. In the Berber language, the name “Chef” translates to “look,” and “chaouen” translates to “horns.” The name reflects the geological position of the city set into the hillside between two prominent mountains of the Rif chain.

During the 1471 hostilities between Morocco and Portugal, the Sultan of Morocco turned Chefchaouen into a military installation and fortification against possible Portuguese incursions. He sent troops to the area, and housing was constructed to garrison them, which accounts for the symmetry of the dwellings we see today.

It wasn’t until the expulsion of the Jewish and Muslim populations from Spain in 1492 that the village expanded to give them sanctuary. Due to their shared experience, they continued to live and work side by side as they had done for generations on the Iberian Peninsula.

The small Berber presence integrated with the incoming populations, and apparently, many converted to Judaism or Islam attracted by the concept of one god. For some time they coexisted in peace and prosperity.

Originally, all the houses were constructed of the same tan-colored earthen bricks. According to our guide, Youssaf Shu, a lifelong resident of the city, the Jewish population either began painting the bottom half of their houses blue to remember the sunny sky of Andalusia or to symbolize divinity because blue is the color of the sky and sea. I leave it to each person to decide which version works best for them.

Muslims responded by painting their houses white – the color of Islam. Initially, the paint covered as high as the house’s occupant could comfortably reach, and as the people were not very tall, only the bottom half of the houses got color.

A plaque about the Jewish Mellah in Chefchaouen. Photo by Barbara Angelakis.

Over the years, as the population expanded, a Mellah (Jewish quarter) developed around the synagogue. But in general, Jews, Berbers, and Muslims continued to work side by side. The homes were designated by a rounded or arched door, while shops were entered through a square door.

At some point, an enterprising Jewish resident decided to paint his entire house blue and decorate it with flowers. The house got much attention. People even came from surrounding villages to marvel at the blue house. Village residents began a friendly competition for attention, which was the birth of tourism in Chefchaouen.

A village street in Chefchaouen. Photo by Barbara Angelakis.

In 1994, blue became the official color of the city. Although there are no longer any Jews living there, every year when the houses are cleaned in preparation before the Muslim holiday of Ramadan, the women of the town repaint their houses in the shade of blue that is popular or most available that year. This contributes to the various shades of blue, sometimes even on the same house, which makes the town so appealing.

This town of roughly 42,000 residents (and more than 3,000 cats, we were told by Youssaf) is located in the mountains virtually in the middle of nowhere and can only be reached by a precipitous winding road.

That doesn’t stop tourists from all over the world arriving to take pictures. The Chinese especially seem to be enchanted and visit in droves, so much so that Chefchaouen’s central square now has restaurants serving Chinese dishes.

An entrance staircase in Chefchaouen. Photo by Barbara Angelakis.

Wandering through the town and peering up and down the alleyways veering off the main street is a photo op bar none. I took dozens of pictures because around each corner, a new must-have visual caught my eye.

But I was not the only one pointing out picture-perfect views. All around me were tourists as enthralled as I was, clicking away. Periodically, I would stop long enough to shop for souvenirs at one of the many stores lining the streets offering handcrafted items.

Eventually, we had to leave this charming town, which was probably a good thing, as my camera was running out of memory, and my pocketbook was running out of funds.

For information on Chefchaouen and other captivating sites, visit the Moroccan National Tourist Board.

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Barbara Angelakis is one of the founders of LuxuryWeb Magazine, and she is its Senior Travel Writer. She travels the four corners of the world with a thirst for knowledge and a twinkle in her eye, seeking out the history of people and places and sharing her experiences. She specializes in culture and history along with luxury destinations, hotels/resorts/cruises/spas, and most recently Jewish Heritage, exploring the historical connection between Jews and their host countries. She has been recognized for outstanding coverage as “Journalist of the Year” by the Tanzania Tourist Board and is the recipient of the MTA Malta Tourism Press Award, the first American to receive this honor. For the past 25 years, Barbara has written extensively for LuxuryWeb Magazine, and her work can also be found at The Jerusalem Post, Jewish Link, Epoch Times,and Vision Times.

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